OK
Recherche avancée
Toutes les catégories
select
select
Séquence
Auteur
Titre
Vente
Prix
- Filtres supplémentaires
Type de façonnage
Livres
Livres audio
Façonnage
Dates de Parution :
Toutes
Avant
En date
Après
2026
2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
01
02
03
04
05
06
07
08
09
10
11
12
Prix :
€
Séléctions
Bestseller Business Books
Bestseller Children's
Bestseller Children's Non Fiction
Bestseller Classics
Bestseller Dictionaries
Bestseller Food & Drink
Bestseller Hardbacks Fiction / Crime
Bestseller Illustrated
Bestseller Non-Fiction
Bestseller Picture Books
Bestseller Pockets Fiction / Crime
Bestseller Travel Guides
Bestseller Young Adults
French Interest
Gift Books & Non Books
Movie List
Weekly Arrivals
Catégories
OK
mot de passe oublié ?
Votre panier contient :
0 article(s)
Total :
0.00 €
Saisie en ligne
Aide
Contact
Black Paper
Writing in a Dark Time
Cole, Teju
Editeur: University of Chicago Press
Nombre de pages: 288
Format: 145/220/20
Langue: Anglais
Article manque momentanément
ISBN: 022664135X
EAN: 9780226641355
N° OLF: 9220957
Façonnage: Livre Relié
Date de parution: 27/10/2021
Catégorie: Biographie et Mémoires et Correspondance
Prix: 25,50 €
Tva: 5,5%
Ajouter au panier
< Retour
Résumé:
"Darkness is not empty," writes Teju Cole in Black Paper, a collection of essays that meditate on what it means to keep our humanity-and witness the humanity of others-in a time of darkness. Cole is well-known as a master of the essay form, and in Black Paper he is writing at the peak of his skill, as he models how to be closely attentive to experience-to not just see and take in, but to think critically about what we are seeing and not seeing. Wide-ranging in their subject matter, the essays are connected by ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole's writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about the color black and its numerous connotations. As he describes the carbon copy process in his epilogue: "Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white. Black transported the meaning."